KARACHI – Combining strong geometric elements with recurrent patterns and architectural principles, Halima Cassell’s work utilises definite lines and dramatic angles in an attempt to manifest the universal language of number and create an unsettling sense of movement.
“To achieve these effects, I use heavily grogged clay that allows me to work on a large scale and utilise relatively thick surfaces to carve to the desired depth,” says Cassell.
She concentrates on simple forms as the basis of her work in order to maximise the impact of the complex surface patterns in combination with heavily contrasting contours.
“This approach provides me with the tools to create the compelling drama and playful dynamism that characterises my work,” she explains.
Cassell was born in 1975 in Pakistan, brought up in Manchester and now lives in Blackburn, Lancashire. Her varied, multicultural background is tangibly present in her work.
A natural creativity presented itself at an early age and was nurtured to fruition as she carved her way through an art-based education. She received an undergraduate degree in 1997 and an MA in 2002.
Fusing her Asian cultural roots with a fascination for African pattern work and a passion for architectural geometry, her work is intense yet playful, structured yet creative, substantial yet dynamic, and invariably compelling in its originality.
