KABUL:
In a grimy Kabul street, the director gives the order to roll the cameras, and filming starts on a remarkable new TV drama that boldly challenges taboos about women in conservative Afghanistan.
Shereen, the star, enters the scene and buys a few things from street vendors when suddenly her husband, a possessive and brutal man, grabs her.
But tough, no-nonsense Shereen won’t back down and a row ensues.
“Shereen’s Law”, due to be aired on Afghan TV before the end of the year, tells the story of a 36-year-old woman who brings up three children on her own while forging a career as a clerk at a court in Kabul.
Such a character is already shocking in an overwhelmingly patriarchal society where most women are confined to lives of menial domesticity.
But the show deliberately ramps up the impact. Shereen fights corruption, harassment, and rape, and tries to divorce her husband, whom she wed in a forced marriage.
More than 13 years after the fall of the Taliban, Afghanistan remains deeply wedded to traditional customs and its airwaves have never hosted anything like this before.
“It is the first such drama – that is about women, that is about empowering women, that is about the struggles of women in Afghanistan,” Leena Alam, the Afghan actress who plays Shereen, told foreign press.
Women in Afghanistan still suffer brutal violence on a daily basis. On March 19 a young woman was beaten to death and her body burned in central Kabul for allegedly burning a copy of Holy Qur’an.
Defying entrenched conventions in such a country comes with a risk, as Alam – who moved to the US as a child with her family before returning in 2007 – admits.
“It’s a bit dangerous, even for myself. Yesterday we were shooting outside. When… I’m waiting for the shot I’m always scared that somebody may throw acid on me or somebody may hit me with a knife,” she said.
Casting the show was not easy – several actors said no to a storyline they found just too challenging. One, who played a lawyer friend of Shereen, was forced to pull out because her husband was unhappy with the show.
As well as portraying a strong female character, the series attacks the Afghan judicial system, where rampant corruption is hidden behind a wall of silence.
“It takes a lot of courage to write something like this and it takes a lot of courage to play something like Shereen,” Alam, a producer who has also appeared in several Afghan films, said.
“But I think it’s time, after more than 30 years, to move on and educate people and give them the information as bluntly as Shereen.”
Apart from the exterior street scenes, the show’s action takes place in a studio with sets decked out to look like a courtroom, Shereen’s house and legal offices.
No detail has been missed, from the portrait of President Ashraf Ghani in the courtroom to the stapler on Shereen’s desk.
Director and writer Max Walker, an Australian who came to work in Afghanistan, says he took advice in advance on how to avoid drawing too much attention from conservative clerics.
“There’s been an enormous consultation, an enormous review of the script and of the whole storytelling process to make sure that it raises these issues, but it doesn’t raise them so bluntly and so offensively that it’s going to make the programme go off air,” Walker said.
