While watching Katrina Kaif gyrating to ‘Chikni Chameli’, more than halfway through Karan Malhotra’s ‘Agneepath’, one can not help but wonder about the similarities between the song and the film. Both are adaptations of an original product (‘Chikni Chameli’ has been adapted from a popular Marathi song), both have ample production value and some great moves, but they are also ample proof that remaking an original may not always work. Malhotra’s version of ‘Agneepath’, to be fair, is not a direct copy. Hrithik Roshan plays Vijay Dinanath Chauhan, a gangster from the Mumbai slums, who is obsessed with killing Kancha (Sanjay Dutt), the man who killed his father over a dispute more than 15 years ago. Vijay feeds his revenge, joining a rival gang and rising to the top quickly, but in the process alienates his mother (Zarina Wahab), who cuts off all ties with him. To his credit Roshan portrays that angst and that loneliness beautifully. There are some moments which are well done, as is most of the action. The palette of Mandwa, dreary and dark, lends very well to the personality of villain Kancha, and the fight scene at the end will keep you hooked, even though you know how it’s going to end. What brings this film down is its unnecessary length. There are too many songs, and too many inane dialogues at crucial points that will make you laugh out loud. Om Puri, playing a police officer who looks out for Vijay, has the bulk of these lines. Malhotra’s script isn’t as tight as it should have been and the central theme of the film-revenge-gets diluted. On the plus side, there are some good performances — Rishi Kapoor and Sanjay Dutt (who looks creepy enough to scare most people) are all exceptional in the film. Roshan delivers a powerful performance. But Priyanka Chopra, playing Vijay’s love interest, hams it up like there’s no tomorrow and is singularly irritating. She doesn’t look like a girl who lives in a slum at all, togged up in designer wear and perfect make-up. If you are a fan of the earlier ‘Agneepath’, don’t go expecting to see a copy of the earlier film. There is no famous baritone and no Mithun Chakraborty. But there is a formula revenge film with modern production values. If that’s your kind of film, watch it.
